Art Deco: Commercializing the Avant-Garde
The term “Art Deco” did not exist until the 1960s. Prior to that, the geometric, bold, machine-focused style now collectively packaged within that genre was known by many names, representing a variety of regional versions of Modernism. This exhibition chronicles the rise and fall of what would come to be known as Art Deco, starting with the 1925 Paris Exhibition where various factions of the European avant-garde were distilled through commercial endeavors to become the visual language of capitalism, and ending as Deco graphics became more nationalistic in the lead up to World War II.
This exhibition features over 50 posters by enduring masters of graphic design, including A.M. Cassandre, Charles Loupot, Marcello Nizzoli, Jean Dupas, Herbert Matter, Jean Carlu, Paul Colin, René Vincent, Edward McKnight Kauffer, Austin Cooper, Pierre Fix-Masseau, and Joseph Binder.
This exhibition comes to Poster House through a generous loan from William W. Crouse.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts (NYSCA).