First Friday

Join Poster House on the First Friday of every month for free admission and extended hours! Explore the museum’s latest exhibitions and get in on the fun by attending a […]

First Friday: Block Printing with Optimism

In this workshop led by artist Emily B. Yang, participants will learn to block print with a sense of optimism. Emily’s images have been exhibited at galleries, posted around Chinatown, and […]

First Friday-Made in Chinatown: Designing for Our Own Communities

For the past year, AAPI designers have seen an exponential growth in demand for their creative work. There is finally interest in their lived experience, shared memories, and culture in contemporary design. While AAPI designers are asked to design for the masses, what does it mean to design for their own communities? This panel features […]

First Friday: Cinema on Paper Book Signing

Join author and collector Dwight M. Cleveland for a signing of his book Cinema on Paper: The Graphic Genius of Movie Posters. Featuring more than 100 lobby cards and posters from Cleveland’s vast collection, Cinema on Paper is a celebration of the fantastic history of movie advertising. After the signing, be sure to check out Experimental […]

Poster Kids: 100 Years of Film Posters

Everyone loves movie posters! This month, join us in exploring works from each of our current exhibitions to learn about more than 100 years of film poster history. Then, we […]

Poster Kids: 100 Years of Film Posters

Poster House 119 West 23rd Street, New York, NY, United States

Everyone loves movie posters! This month, join us in exploring works from each of our current exhibitions to learn about more than 100 years of film poster history. Then, we will create film reel style artwork inspired by movies we know and love.   Join Poster House on select Sunday mornings from 10:30am–12:15pm for a family-friendly, […]

Fashioning The Self: I Am My Own Property

The exhibition Ethel Reed: I Am My Own Property highlights the artist’s masterful use of fashion and her appearance to control her own narrative and that of her work. Of […]